“Okada’s death completely fits into Sato’s version of Japan, alienated and constantly watched. Women, especially, are followed with camcorders, viewed by security cameras, denied privacy. They float, friendless and unattached, in and out of phone booths, sex clubs, medical research, subways, neon cities.”如果您喜欢西瓜影院(www.hbclyxb.com)分享的《捕风追影电影》,别忘了推荐给你的好友!
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